Acting Executive Director of the National Theatre, Henry Malm, has reaffirmed the Theatre’s commitment to supporting emerging artists and young theatre production companies by offering them a platform to showcase their creative talents.
Speaking to recent concerns, Mr. Malm clarified a common misconception—that the National Theatre is only accessible to established production houses. He stressed that the institution serves as a vital voice for both Ghanaian theatre and up-and-coming creatives.
“We are here to nurture and promote Ghanaian talent, preserve our cultural heritage, and elevate theatre to new heights,” he said. “The Theatre was founded on the principle of inclusivity, and our doors are open to all artists, regardless of background or experience.”
Established in 1992, the National Theatre’s mandate has been to promote Ghana’s cultural richness through the performing arts. Mr. Malm emphasized that the Theatre remains unbiased in fulfilling this mission and encouraged young playwrights and production groups to engage with them for support and collaboration.
His comments come at a time when the Theatre is experiencing a vibrant season of productions. The past month alone has seen Fiifi Coleman’s Dilemma of a Ghost, Kasa Entertainment’s 3 Faces of Jeffrey Nortey, and Honeymoon, a production directed by Shirley Frimpong-Manso.
Starting Friday, June 27 through July 6, Uncle Ebo Whyte’s Roverman Productions will stage its second-quarter play Love on the Ropes. In August, the Theatre will collaborate with Image Bureau and April Communications to stage The King and the Horseman.
Mr. Malm also highlighted that the National Theatre offers a range of venue options including the main auditorium, Folks Place, and even the foyer, ensuring accessibility to both seasoned and new theatre producers.
Beyond performance, he noted that the Theatre uses drama as a tool for social transformation—working with government bodies, NGOs, and community groups on programmes that promote education, health, and civic awareness.
“The National Theatre is more than a stage—it is a platform for change, cultural pride, and the development of Ghana’s creative future,” Mr. Malm concluded.